How My Biological Background Informed My Urban Fantasy World

A quote that reads "Science is a 
self-correcting process of discovery, 
not a collection of facts."

‘Write what you know’ was in the forefront of my mind as I brainstormed the worldbuilding for the book that would become Terrestrial Magic.

But as an undergrad in a molecular biology program some ten years ago (now a PhD graduate), I’d puzzled over how to use my scientific background to inform the genre I wanted to write: urban fantasy. I wanted an aspect of adventure in the forefront, rather than setting a large part of the story in a lab . Which left me thinking of ways to incorporate some kind of field work. Legendary creatures were a natural worldbuilding element to incorporate, one that allowed me to crosslink biology with fantasy by having my protagonist use science to study magical animals.

That left me with the decision for how science would inform the details of the story. A lot of the inaccuracies I see in the portrayal of science in the media stem from a misunderstanding of the basics. Science is a self-correcting process of discovery, not a collection of facts.

A quote that reads "The heart of this series 
is about assumptions 
getting tested, 
about finding out more than 
we knew before."

This made me want to focus on portraying the generalities of science. Research as an exploration of the unknown. The way that scientists might think through their problems. How logical and detail-oriented thoughts might come through in the narration.

The scientific process is also slower than people usually assume–although 2020 might have changed some of those expectations. As such, in the beginning of the series, I mix the science happening in the background with plot problems that can move more quickly. The characters need time to advance their research, and maybe a plan to harness magic to expedite the process, before they can discover any answers to the series’ biggest questions.

The heart of this series is about assumptions getting tested, about finding out more than we knew before. Every aspect of the story is informed by the role that discovery plays in it. And that’s all because of how much the scientific process was on my mind as I was building this world.

Terrestrial Magic and Natural Sorcery are part of the Jordan Sanders urban fantasy/post-apocalyptic series.

The covers of two books--Terrestrial Magic and Natural Sorcery.

Writing Update July 2020 and Virology Podcast Recommendation

So I’m easing back into blogging, if only because so many of us need something else to focus on. Racial injustice and the global pandemic are still very much issues taking up a lot of my attention and I’m not committing to a schedule for this blog yet. Today, I’d like to do a quick update on my writing progress and share a link to a virology podcast.

Writing Updates

Chains Carried on Wings 2 – first draft ~76% complete

This is my main project at the moment. I envision this series as a trilogy and once book 2 is done I’ll be writing either Terrestrial Magic 3 or Chains Carried on Wings 3.

I also have approximately half a dozen short stories that I’m still deciding what to do with. Some of them need editing, but I’d rather work on my novels at the moment than make time for them. Maybe I’ll put out an anthology at some point?

Recommended Podcast

This Week in Virology – I recommend getting information on the pandemic from scientists. The hosts of this show are experienced virologists and microbiologists, as well as science communicators.

Terrestrial Magic Goes Live

I maybe, kinda, sorta am posting an urban fantasy/post-apocalyptic web serial online. So…surprise?

The first chapter has just gone up, it will post on Thursdays, and here’s the premise:

Most sensible people avoid fire-breathing carnivores that prey on humans. But Jordan has built a career out of studying such legendary animals, creatures thought mythological until their reemergence in the world three decades ago. She and researchers like her believe that knowledge is the key to reclaiming the land they’d lost back then, when humanity retreated into designated safety zones.

But when the humans moved out, the legends moved in. They were the descendants of mythical heroes, inheriting the powers of their ancestors, and they weren’t afraid of the monsters. Jordan never expected to run into a legend, but when a field expedition turns into a trap for her team, she realizes that one deliberately tried to kill her. It’s a diplomatic nightmare the Roman authorities might happily sweep under the rug. But if Jordan doesn’t figure out who attacked her and why, they could try again. Yet even if she does solve the mystery, what could one stubborn scientist possibly do to stop a powerful legend?

For those of you who know something about me, you’ll notice the premise incorporates a lot of elements that rely on my own particular knowledge: my scientific background, my semester abroad in Rome, and my study of ancient history. Hopefully, I’ve managed to take all of that and tie it into a decent story.

Science in Media: Handling Medicines Without the Proper Understanding of Dosage

Haven’t done one of these in a while. But there’s this scene, in Stranger Things 2, that struck me enough that I had to talk about it.

Basically, you have a character with no medical or pharmacological experience whatsoever, filling up a syringe with an unspecified drug (to put patients to sleep) and injecting a child with it. (At least twice in about a day, actually.) My immediate thought upon seeing that was, “well, if it were real life, she’s probably just killed this kid.” Continue reading “Science in Media: Handling Medicines Without the Proper Understanding of Dosage”

Passengers: Shouldn’t be Marketed as a Sci-Fi/Romance if It’s Gonna Be This Creepy

Two people's faces, above an image of a ship in space. The words read "Jennifer Lawrence, Chris Pratt, Passengers."
Image: Sony Pictures

Genre: Sci-fi/Romance

Synopsis: Jim and Aurora are passengers on a starship, kept in stasis inside hibernation pods during the journey. When they arrive at their destination, a good century would have passed, and they’d have reached a distant world. Except they wake up too early. 90 years too early. Without the ability to put themselves back to sleep, they’re looking at the rest of their lives spent alone, aboard the ship… Continue reading “Passengers: Shouldn’t be Marketed as a Sci-Fi/Romance if It’s Gonna Be This Creepy”

Sci-Fi for Capturing the Imagination with Detail-Oriented Debate

Today I want to bring up two pieces of media, a book and a movie, that do a great job with something I don’t see tackled in fiction very often–they delve into the complex details behind the big picture, and make them interesting. They form a story around those details, instead of making it all about the big picture.

Character conflict and personalities are used to engage the audience with the narrative. Meanwhile, focusing on the complexities instead of sidelining them make the stories feel like they belong in a world as complicated as our own. Both of them managed to pull me in by appealing to my sense of curiosity. So it’s fitting for me to talk about both in one post, given that they share their strengths. Continue reading “Sci-Fi for Capturing the Imagination with Detail-Oriented Debate”

Science in Media Roundup: Artistic License with Medical Safety and Loaded Terminology

More science in TV, and as expected, most of it has issues. So, what in recent television is not quite as portrayed?

(video)

The Catch: In a case of the week episode, the private investigation firm goes up against a pharmaceutical company being sued for a clinical trial gone wrong. A drug trial ended with 16 patients in the ICU, and the firm’s client suspects that the previous trial must have had adverse reactions as well, which were covered up. In the end, it turns out the the lead clinician in charge of the trial deliberately sabotaged it because the medicine wasn’t working and he wanted to start from scratch to develop something that would work (as his wife suffered from the condition the drug was meant to treat, MS.) Continue reading “Science in Media Roundup: Artistic License with Medical Safety and Loaded Terminology”

Broken Age: A Different Take on the Hero/Victim Dichotomy

broken-age-walkthrough
Image: Double Fine Games via Video Games Blogger

Genre: Point-and-click adventure/sci-fi

Synopsis: Vella is chosen for the honor of the Maiden’s Feast, a ceremony vital to the safety of the village. But something feels wrong, and Vella finds herself wondering if the way they’d all been taught to live is really the only option… Continue reading “Broken Age: A Different Take on the Hero/Victim Dichotomy”

Science in Media: Agent Carter Season 2’s Surprisingly Refreshing Points About the Nature of Experimentation

I recently spoke about my feelings on the second season in general, but the way this show thinks about science is worth its own post. Because in this regard, the show generally exceeded my expectations. Without further ado, the things I noticed about the show’s attitude towards scientific inquiry: Continue reading “Science in Media: Agent Carter Season 2’s Surprisingly Refreshing Points About the Nature of Experimentation”